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Past Exhibitions

Thomas Joshua Cooper (American, born 1946), Moonrise over Montauk – The North Atlantic Ocean, Montauk Point, “The End," East Hampton Township, (South Fork) Suffolk County, Long Island, New York, 2016/2017. Gelatin silver print, 30 x 40 inches. Parrish Art Museum, Water Mill, New York, Gift of the Lannan Foundation, 2019.5.1

Thomas Joshua Cooper: Refuge

May 5–July 28, 2019
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Helen Frankenthaler (American, 1928–2011), Provincetown Window, 1963-64. Acrylic on canvas, 82 3/8 x 81 7/8 inches. Collection of Josh and Beth Friedman. © 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Photograph by Tim Pyle, Light Blue Studio, courtesy Helen Frankenthaler Foundation, New York||Painters Joan Mitchell (left), Helen Frankenthaler (center), and Grace Hartigan (right) at the opening of an exhibition of Frankenthaler paintings at Tibor de Nagy Gallery, 1957. Photograph by Burt Glinn. Courtesy Magnum Photos||“Women Artists in Ascendance: Young Group Reflects Lively Virtues of U.S. Painting,” Page spreads from LIFE Magazine, May 13, 1957. © 1957 Time Inc. Photographed by Gordon Parks.||Frankenthaler swimming in front of her home and studio, “Sea Barn,” 631 Commercial Street, Provincetown, circa summer 1966. Photograph © Dan Budnik, All Rights Reserved. Courtesy Helen Frankenthaler Foundation Archives, New York||Frankenthaler in her studio “in the woods,” Provincetown, 1968. Courtesy Alexander Liberman Photography Archive, Getty Research Institute, Los Angeles||Frankenthaler in Fiat “Jolly,” 622 Commercial Street, Provincetown, summer 1961. Courtesy The Dedalus Foundation, Inc.||Jeannie and Lise Motherwell’s lemonade stand, Frankenthaler second from right, 622 Commercial Street, Provincetown, July 4, 1962. Courtesy The Dedalus Foundation, Inc.||Frankenthaler in her studio “in the woods,” Provincetown, 1968. Courtesy Alexander Liberman Photography Archive, Getty Research Institute, Los Angeles||Jackson Pollock, Clement Greenberg, Frankenthaler, Lee Krasner, and an unidentified child at the beach in East Hampton, New York, July 1952. Courtesy The Dedalus Foundation, Inc.||Photo: Gary Mamay||Photo: Jenny Gorman||Photo: Jenny Gorman||Photo: Jenny Gorman||Photo: Jenny Gorman||Photo: Jenny Gorman||Helen Frankenthaler (American, 1928–2011), Orange Breaking Through, 1961. Oil on canvas, 95 x 93 inches. Private Collection. © 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York.

Abstract Climates: Helen Frankenthaler in Provincetown

August 4–October 27, 2019
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David Salle, After Michelangelo
Community Day 2018. Photo: Sadie Klughers

Every Picture Tells A Story

November 11, 2018 to October 6, 2019
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Keith Sonnier (American, born 1941), Ba-O-Ba I (Ba-O-Ba Series), 1969. Plate glass, neon tubing, electrical wire, and transformer, 84 x 204 x 18 inches. Courtesy of the artist and Maccarone Gallery, New York/ Los Angeles

Keith Sonnier: Until Today

July 1, 2018–January 27, 2019
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Playground by Esly E. Escobar
Parrish Road Show 2018, Esly E. Escobar: Playground at The Remsenburg Academy, August 18–September 15, 2018. Photo: Lori Hawkins

Parrish Road Show: Esly E. Escobar

PLAYGROUND

August 18–September 15, 2018
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The Moon Person by Jeremy Dennis
Jeremy Dennis, The Moon Person, 2017. Vibrachrome print, 18 x 26 inches. Photo courtesy the artist

Parrish Road Show: Jeremy Dennis

Stories—Dreams, Myths, and Experiences

August 11, 2018–September 3, 2018
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Installation View: Platform, Barthélémy Toguo: The Beauty of Our Voice at the Parrish Art Museum, Water Mill, New York, August 5–October 21, 2018. Photo: Jenny Gorman

Platform: Barthélémy Toguo

The Beauty of Our Voice

August 5–October 21, 2018
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Andreas Gursky (German, born 1955), Avenue of the Americas, 2001. Chromogenic print, 81 ¼ x 140 ¼ x 2 ½ inches. Courtesy of the artist and Gagosian Gallery, New York. © 2018 Andreas Gursky/ Artists Rights Society (ARS), New York/ VG Bild-Kunst, Bonn/ Courtesy Sprüth Magers, Berlin/ London.

Image Building: How Photography Transforms Architecture

March 18–June 17, 2018
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Installation View: 2018 Student Exhibition at the Parrish Art Museum, Water Mill, New York, February 3–March 8, 2018. Photo: Daniel Gonzalez

2018 Student Exhibition

February 3–March 4, 2018
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Alan Shields (American, 1944–2005), Devil, Devil, Love, 1970. Cotton belting, acrylic, thread, beads, and wood, 96 x 194 inches. Parrish Art Museum, Museum Purchase, Mr. and Mrs. Robert F. Carney Fund 2007.15. Photo: Gary Mamay

Permanent Collection: Five and Forward

November 10, 2017–October 15, 2018
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Robert Bechtle, ‘71 Buick, 1972. Oil on canvas, 48 7/8 x 68 inches. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Barrie M. Damson, 1979.

From Lens to Eye to Hand: Photorealism 1969 to Today

August 6, 2017–January 21, 2018
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Auto Body: Red Right Return
Installation View: Parrish Road Show 2017, Auto Body: Red Right Return at the Parrish Art Museum, August 1–September 4, 2017. Photo courtesy Auto Body

Parrish Road Show: Auto Body

August 1–September 4, 2017
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Light | Waves by Clifford Ross
Installation View: Platform 2017, Clifford Ross: Light | Waves at the Parrish Art Museum, Water Mill, New York, July 16–October 15, 2017. Courtesy RYAN LEE Gallery, New York and Sonnabend Gallery, New York. Photo: Lori Morris

Platform: Clifford Ross

Light | Waves

July 16–October 15, 2017
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Installation View: John Graham: Maverick Modernist at the Parrish Art Museum, Water Mill, New York, May 7–July 30, 2017. Photo: Gary Mamay

John Graham: Maverick Modernist

May 7–July 30, 2017
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Opening Reception: 2017 Student Exhibition at the Parrish Art Museum, Water Mill, New York, January 28–February 26, 2017. Photo: Daniel Gonzalez

2017 Student Exhibition

January 28–February 26, 2017
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Willem de Kooning (American, born Netherlands, 1904–1997), Untitled XXXVIII, 1983. Oil on canvas, 70 x 80 inches. Parrish Art Museum, Water Mill, New York, Museum purchase, Ahmet and Mica Ertegun Fund, Mrs. Lawrence B. Dunham Fund, in Memory of Lilian Haines Crittenden, Alice Crocker Bequest Fund, and with funds from Ambassador and Mrs. Ronald Lauder, and Ahmet and Mica Ertegun, 1997.6

Material Witness

Permanent Collection Installation

November 4, 2016–October 30, 2017
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Alex Katz (American, born 1927), Portrait of Frank O'Hara, 2009. Photoengraving, 11 x 11 inches. Parrish Art Museum, Water Mill, New York, Gift of Lawrence DiCarlo

Poets and Painters

Permanent Collection Installation

November 4, 2016–October 30, 2017
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Esteban Vicente (American, born Spain, 1903–2001), Black Susan 1968 Collage on paper mounted on board. 60 x 40 inches. Parrish Art Museum, Water Mill, N.Y., Promised Gift of the Harriet and Esteban Vicente Foundation

Drawn in Black and White

Permanent Collection Installation

November 4, 2016–October 30, 2017
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Porter- Jane and Elizabeth
Fairfield Porter (American, 1907–1975), Jane and Elizabeth, 1967. Oil on canvas, 55 1/8 x 48 1/8 inches. Parrish Art Museum, Water Mill, N.Y., Gift of Jane Freilicher, 1979.13.2||Fairfield Porter, American, 1907–1975

Fairfield Porter

Permanent Collection Installation

November 4, 2016–October 30, 2017
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Leo Villareal, Particle Universe, 2016. LEDs, custom software and electrical hardware, mirrored stainless steel, 105 x 244 x 6 inches. Courtesy of the artist and Sandra Gering Gallery, New York. Photo: Daniel Gonzalez

Artists Choose Artists 2016

October 30, 2016–January 16, 2017
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